Music
Rice is an accomplished pianist and has performed in public since she was a young girl. At the age of 15, she played Mozart with the Denver Symphony, and while Secretary of State she played regularly with a chamber music group in Washington. She does not play professionally, but has performed at diplomatic events at embassies, including a performance for Queen Elizabeth II, and she has performed in public with cellist Yo-Yo Ma and singer Aretha Franklin. In 2005, Rice accompanied Charity Sunshine Tillemann-Dick, a 21 year-old soprano, for a benefit concert for the Pulmonary Hypertension Association at the Kennedy Center in Washington. She performed briefly during her cameo appearance in the "Everything Sunny All the Time Always" episode of 30 Rock. She has stated that her favorite composer is Johannes Brahms, because she thinks Brahms's music is "passionate but not sentimental." On a complementary note, on Friday, April 10, 2009 on The Tonight Show with Jay Leno, she stated that her favorite band is Led Zeppelin.
As Secretary of State, Rice was ex officio a member of the Board of Trustees of the John F. Kennedy Center for the Performing Arts. As the end of their tenures approached in January 2009, outgoing President Bush appointed her to a six-year term as a general trustee, filling a vacancy on the board.
Read more about this topic: Condoleezza Rice
Famous quotes containing the word music:
“I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough.”
—Lucy Larcom (1824–1893)
“See where my Love sits in the beds of spices,
Beset all round with camphor, myrrh, and roses,
And interlaced with curious devices
Which her apart from all the world incloses!
There doth she tune her lute for her delight,
And with sweet music makes the ground to move,
Whilst I, poor I, do sit in heavy plight,
Wailing alone my unrespected love;”
—Bartholomew Griffin (d. 1602)
“In benevolent natures the impulse to pity is so sudden, that like instruments of music which obey the touch ... you would think the will was scarce concerned, and that the mind was altogether passive in the sympathy which her own goodness has excited. The truth is,—the soul is [so] ... wholly engrossed by the object of pity, that she does not ... take leisure to examine the principles upon which she acts.”
—Laurence Sterne (1713–1768)