Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese: typified by certain traditional forms, or modes, and certain traditional genres, as well as being considered in terms associations with particular historical periods, such as the poetry of the Tang Dynasty. Its existence is documented at least as early as the publication of the Classic of Poetry. Various combinations of forms and genres exist. Many or most of these were developed by the end of the Tang Dynasty, in CE 907. Use and development of Classical Chinese poetry actively continued up to until the May Fourth Movement, in 1919, and is still developed even today in the 21st century. During this over two-and-a-half thousand years of more-or-less continuous historical development, much diversity is displayed –– both between the poetry typical of major historical periods, or, as by the traditional Chinese historical method, by dynastic periods. Another aspect of Classical Chinese poetry worthy of mention is its intense inter-relationship with other forms of Chinese art, such as Chinese painting and Chinese calligraphy. Eventually, Classical Chinese poetry has proven to be of immense influence upon poetry worldwide.
Read more about Classical Chinese Poetry: History and Development, Forms, Genres, Features, Collections, Influence of Classical Chinese Poetry
Famous quotes containing the words classical and/or poetry:
“Culture is a sham if it is only a sort of Gothic front put on an iron buildinglike Tower Bridgeor a classical front put on a steel framelike the Daily Telegraph building in Fleet Street. Culture, if it is to be a real thing and a holy thing, must be the product of what we actually do for a livingnot something added, like sugar on a pill.”
—Eric Gill (18821940)
“I owe everything to a system that made me learn by heart till I wept. As a result I have thousands of lines of poetry by heart. I owe everything to this.”
—George Steiner (b. 1929)