Carl Nielsen - Music

Music

Further information: List of compositions by Carl Nielsen

Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall.

The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.

Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.

Nielsen's works are sometimes referred to by FS numbers, from the 1965 catalogue compiled by Dan Fog and Torben Schousboe.

Read more about this topic:  Carl Nielsen

Famous quotes containing the word music:

    The man that hath no music in himself,
    Nor is not moved with concord of sweet sounds,
    Is fit for treasons, stratagems, and spoils.
    The motions of his spirit are dull as night,
    And his affections dark as Erebus.
    Let no such man be trusted.
    William Shakespeare (1564–1616)

    I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.
    Muriel Rukeyser (1913–1980)

    Words move, music moves
    Only in time; but that which is only living
    Can only die. Words, after speech, reach
    Into the silence.
    —T.S. (Thomas Stearns)