Brian Ferneyhough - Bibliography

Bibliography

• Boros, James, and Richard Toop (eds.). The Collected Writings of Brian Ferneyhough. Amsterdam: Harwood Academic Publishers, 1995. Review by Ian Pace
• Bortz, Graziela. Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela : a guide for performers. Ph.D. Thesis, City University of New York, 2003.
• Duncan, Stuart. "Re-complexifying the Function(s) of Notation in the Music of Brian Ferneyhough and the “New Complexity”. Perspectives of New Music 48, no. 1 (Winter 2010): 136–72.
• Ferneyhough, Brian. Brian Ferneyhough by Brian Ferneyhough. Paris: L'Age d'homme OCLC 21274317 (French)
• Pace, Ian. "Brian Femeyhough, Collected Writings, edited by James Boros and Richard Toop. Harwood Academic Publishers; Ferneyhough: String Quartet No. 4; Kurze Schatten II ; Trittico per G. S.; Terrain, Arditti String Quartet with Brenda Mitchell (sop); Magnus Andersson (gtr); Stefano Scodanibbi (db); Irvine Arditti (vln) with ASKO Ensemble c. Jonathan Nott. Disques Montaigne MO 7 82029. Ferneyhough: Prometheus; La Chute D'Icare; On Stellar Magnitudes; Superscriptio; Carceri d'Invezione III. Luisa Castellani (voice); Felix Renggli (fl); Ernesto Molinari (cl); Ensemble Contrechamps c. Giorgio Bernasconi, Zsolt Nagy, Emilio Pomarico. ACCORD 205772". Tempo new series, no. 203 (January 1998): 45–48, 50–52.
• Rosser, Peter. "Brian Ferneyhough and the 'Avant-Garde Experience': Benjaminian Tropes in Funérailles". Perspectives of New Music 48, no. 2 (Summer 2010):114–51.
• Schick, Steven. "Developing an Interpretive Context: Learning Brian Ferneyhough's Bone Alphabet" (Subscription Access). Perspectives of New Music 32, no. 1 (Winter, 1994): 132–53.
• Tadday, Ulrich (ed.). "Brian Ferneyhough". Munich: Edition Text+Kritik in Richard Boorberg Verlag, 2008. (German)
• Toop, Richard. "Brian Ferneyhough's Lemma-Icon-Epigram". Perspectives of New Music 28, no. 2 (Summer, 1990): 52–100.
• Toop, Richard. "'Prima le Parole…' (On the Sketches for Ferneyhough's Carceri d'invenzione I–III)". Perspectives of New Music 32, no. 1 (Winter, 1994): 154–75.
• Whittall, Arnold. "Connections and Constellations". The Musical Times 144, no. 1883 (Summer): 23–32.
• Williams, Alastair. "Adorno and the Semantics of Modernism". Perspectives of New Music 37, no. 2 (Summer 1999): 1–22.