The Rock Concert Instruction Manual
The Rock Concert Instruction Manual, used by Blue Man Group in The Complex Rock Tour and the How to Be a MegaStar Tours 2.0 and 2.1, is a satire of the conventions of rock music. Before the manual appears, a fake infomercial for it by "Rodco" (played by Fred Armisen) plays. The manual describes in simple steps how one can gain fame and fortune by becoming a rock star. Parts of the manual are also used in Blue Man Group's theatrical shows.
Read more about this topic: Blue Man Group
Famous quotes containing the words instruction manual, rock, concert, instruction and/or manual:
“I turn my gaze
Back to the instruction manual which has made me dream of
Guadalajara.”
—John Ashbery (b. 1927)
“Never before has a generation of parents faced such awesome competition with the mass media for their children’s attention. While parents tout the virtues of premarital virginity, drug-free living, nonviolent resolution of social conflict, or character over physical appearance, their values are daily challenged by television soaps, rock music lyrics, tabloid headlines, and movie scenes extolling the importance of physical appearance and conformity.”
—Marianne E. Neifert (20th century)
“Proportion ... You can’t help thinking about it in these London streets, where it doesn’t exist.... It’s like listening to a symphony of cats to walk along them. Senseless discords and a horrible disorder all the way.... A concert of Brobdingnagian cats. Order has been turned into a disgusting chaos. We need no barbarians from outside; they’re on the premises, all the time.”
—Aldous Huxley (1894–1963)
“Much of the pressure contemporary parents feel with respect to dressing children in designer clothes, teaching young children academics, and giving them instruction in sports derives directly from our need to use our children to impress others with our economic surplus. We find “good” rather than real reasons for letting our children go along with the crowd.”
—David Elkind (20th century)
“A great deal of unnecessary worry is indulged in by theatregoers trying to understand what Bernard Shaw means. They are not satisfied to listen to a pleasantly written scene in which three or four clever people say clever things, but they need to purse their lips and scowl a little and debate as to whether Shaw meant the lines to be an attack on monogamy as an institution or a plea for manual training in the public school system.”
—Robert Benchley (1889–1945)