Venus Hum

Venus Hum is an electronic pop music group from Nashville, Tennessee, consisting of vocalist Annette Strean and multi-instrumentalists Kip Kubin and Tony Miracle. Miracle has a rare heart condition which results in perpetually hearing his own heartbeat in his ears. This condition is known as "venous hum", from which the group's name is derived.

Their first full-length album, titled Venus Hum, was released in 2001. Big Beautiful Sky was released two years later. Also in 2003, Venus Hum toured with and opened for Blue Man Group, with Annette providing vocals on "I Feel Love".

After their collaboration with J.J. Abrams (Alias, Lost, Mission: Impossible III), and their subsequent creation of the EP Songs for Superheroes, it was uncertain whether Venus Hum would release any new material. Annette had developed painful vocal fold nodules and needed a speech pathologist to relearn her singing ability. Kip diversified, furthering his interest in filmmaking, becoming a director of music videos, electronic press kits and special features. Tony traveled, living in Los Angeles and Cincinnati and releasing an experimental solo album under the moniker "Satellite City".

After a two year hiatus, the group reorganized and released a new album, The Colors In The Wheel on July 25, 2006 under the Mono-Fi Records label, which they described as "unconventional, three-dimensional and completely five-sensual" featuring an edgier sound than their previous work.

In the second half of 2008, the band returned to the studio to work on material for a new album, culminating in the October 6th, 2009 release of Mechanics & Mathematics.

Read more about Venus Hum:  Blue Man Group

Famous quotes containing the words venus and/or hum:

    Gat-toothed was I, and that bicam me weel;
    I hadde the prente of Sainte Venus seel.
    As help me God, I was a lusty oon,
    Geoffrey Chaucer (1340?–1400)

    One’s condition on marijuana is always existential. One can feel the importance of each moment and how it is changing one. One feels one’s being, one becomes aware of the enormous apparatus of nothingness—the hum of a hi-fi set, the emptiness of a pointless interruption, one becomes aware of the war between each of us, how the nothingness in each of us seeks to attack the being of others, how our being in turn is attacked by the nothingness in others.
    Norman Mailer (b. 1923)