2002 Revamp and Mike Young Productions Animated Series
Beast Man returns in the 2002 relaunch of the MOTU toy line and series. Possessing essentially the same design as the classic version of the character, the 2002 Beast Man is depicted as being a physically much larger creature with a hunched back. He is one of the largest revamped villains, rivaled in size only by Whiplash and Clawful. The figure's colour scheme is darkened down slightly, with deeper orange-red fur instead of the vintage figure's bright orange, and dark brown armor in place of the original's red. The figure's arm armor is now molded on (whereas the original's was removable), and now also sports similar armor on his lower legs. The action feature of this new version of the figure is his arms, which swing downwards when a button on his back is pressed. When the Four Horsemen originally designed the new version, they had planned for the figure to have a vocal 'roaring' feature, but this was eventually dropped due to production budget restraints.
His portrayal in the new cartoon series is much the same as the old, although in this incarnation he never shows any signs of desire to overthrow Skeletor, remaining permanently loyal to his master. Although he still possesses power over all wild animals, he has difficulty controlling dragons, as is showcased in the episode "Dragon's Brood". Beast Man still carries a whip, but relations with his animals are characterized by mutual affection.
Although his background is not mentioned in the show, the accompanying MVCreations comic series published an origin story for him (as Icons of Evil #1, written by Robert Kirkman and drawn by Tony Moore) in which he is revealed to originate from the Berserker Islands, where he first encounters Keldor before his transformation into Skeletor. He has remained subservient to Skeletor ever since he saved his life for the sake of recruiting him as his servant.
Read more about this topic: Beast Man
Famous quotes containing the words revamp, mike, young, productions, animated and/or series:
“We cannot spare our children the influence of harmful values by turning off the television any more than we can keep them home forever or revamp the world before they get there. Merely keeping them in the dark is no protection and, in fact, can make them vulnerable and immature.”
—Polly Berrien Berends (20th century)
“Mrs. Robinson, you’re trying to seduce me. Aren’t you?”
—Calder Willingham, screenwriter, Buck Henry, screenwriter, and Mike Nichols. Ben Braddock (Dustin Hoffman)
“... too many young painters of the day work for the crowd, and not for art. But, then, should not the painters of the day work for the education of the crowd?”
—M. E. W. Sherwood (1826–1903)
“If in many of my productions terror has been the thesis, I maintain that terror is not of Germany, but of the soul.”
—Edgar Allan Poe (1809–1849)
“Impenetrable in their dissimulation, cruel in their vengeance, tenacious in their purposes, unscrupulous as to their methods, animated by profound and hidden hatred for the tyranny of man—it is as though there exists among them an ever-present conspiracy toward domination, a sort of alliance like that subsisting among the priests of every country.”
—Denis Diderot (1713–1784)
“There is in every either-or a certain naivete which may well befit the evaluator, but ill- becomes the thinker, for whom opposites dissolve in series of transitions.”
—Robert Musil (1880–1942)