Works
One of his most famous poems is "Waltzing Matilda", which was set to music and became one of Australia's most famous songs. Others include "The Man from Snowy River", which inspired a movie in 1982 and inspired a TV series in the 1990s, and "Clancy of the Overflow", the tale of a Queensland drover.
In 1905 he published a collection of bush ballads entitled Old Bush Songs.
Paterson's poems mostly presented a highly romantic view of rural Australia. Paterson himself, like the majority of Australians, was city-based and was a practising lawyer. His work is often compared to the prose of Henry Lawson, a contemporary of Paterson's, including his work "The Drover's Wife", which presented a considerably less romantic view of the harshness of rural existence of the late 19th century.
Paterson authored two novels; An Outback Marriage (1906) and The Shearer's Colt (1936), wrote many short stories; Three Elephant Power and Other Stories (1917), and wrote a book based on his experiences as a war reporter; Happy Dispatches (1934). He also wrote a book for children The Animals Noah Forgot (1933)
Contemporary recordings of many of Paterson's well known poems have been released by Jack Thompson (actor), who played Clancy in The Man from Snowy River (1982 film).
Media reports in August 2008 stated that a previously unknown poem had been found in a war diary written during the Boer War.
Read more about this topic: Banjo Paterson
Famous quotes containing the word works:
“The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
—Henry David Thoreau (1817–1862)
“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
—Ralph Waldo Emerson (1803–1882)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)