Music
The opening and closing credits for the first two series were each accompanied by songs performed by Joe Fagin. In series one "Breakin' Away", written by David Mackay and Ian La Frenais, accompanied the opening credits. Ken Ashby collaborated with Mackay on "That's Livin' Alright'", a song that closed each episode. The songs were released as a single, with "That's Livin' Alright" as the A-side, and reached number three in the UK singles chart in January 1984. It was released again in 1995 when the show was repeated on Channel 4. With additional lyrics by Jimmy Lawless, Fagin released a new version of "That's Livin' Alright" for England's 2006 FIFA World Cup campaign. "That's England Alright" was released on 5 June 2006.
Mackay and La Frenais also collaborated on "Get it Right", the song used for the opening credits of series two. Like the first series, Ken Ashby collaborated with Mackay for series two's closing credits song, "Back With the Boys Again". The two tracks were released together as a double-sided single, but only reached number 53 in the UK charts in April 1986.
The tradition of using two separate songs was broken when the BBC revived the show. Instrumental music opened each episode of the third series. However, the closing credits were accompanied by Mark Knopfler's song "Why Aye Man", taken from his album The Ragpicker's Dream. Incidental music was used for the fourth series and for the special. However, when the character of Dennis reveals a photograph of all of the original group taken in Germany, "Breakin' Away" begins and continues over the final credits of the show. A CD is now available entitled 'The Best of Auf Wiedersehen, Pet One & Two' and contains 29 tracks of Vocal music and Instrumentals.
Read more about this topic: Auf Wiedersehen, Pet
Famous quotes containing the word music:
“We often love to think now of the life of men on beaches,—at least in midsummer, when the weather is serene; their sunny lives on the sand, amid the beach-grass and bayberries, their companion a cow, their wealth a jag of driftwood or a few beach plums, and their music the surf and the peep of the beech-bird.”
—Henry David Thoreau (1817–1862)
“The manner in which Americans “consume” music has a lot to do with leaving it on their coffee tables, or using it as wallpaper for their lifestyles, like the score of a movie—it’s consumed that way without any regard for how and why it’s made.”
—Frank Zappa (1940–1994)
“This music crept by me upon the waters,
Allaying both their fury and my passion
With its sweet air; thence have I followed it,
Or it hath drawn me rather.”
—William Shakespeare (1564–1616)