American Literature - First American Novels

First American Novels

It was in the late 18th and early 19th centuries that the nation’s first novels were published. These fictions were too lengthy to be printed as manuscript or public reading. Publishers took a chance on these works in hopes they would become steady sellers and need to be reprinted. This was a good bet as literacy rates soared in this period among both men and women. Among the first American novels are Thomas Attwood Digges' "Adventures of Alonso", published in London in 1775 and William Hill Brown’s The Power of Sympathy published in 1791. Brown's novel depicts a tragic love story between siblings who fell in love without knowing they were related. This epistolary novel belongs to the Sentimental novel tradition, as do the two following.

In the next decade important women writers also published novels. Susanna Rowson is best known for her novel, Charlotte: A Tale of Truth, published in London in 1791. In 1794 the novel was reissued in Philadelphia under the title, Charlotte Temple. Charlotte Temple is a seduction tale, written in the third person, which warns against listening to the voice of love and counsels resistance. In addition to this best selling novel, she wrote nine novels, six theatrical works, two collections of poetry, six textbooks, and countless songs. Reaching more than a million and a half readers over a century and a half, Charlotte Temple was the biggest seller of the 19th century before Stowe’s Uncle Tom’s Cabin. Although Rowson was extremely popular in her time and is often acknowledged in accounts of the development of the early American novel, Charlotte Temple is often criticized as a sentimental novel of seduction.

Hannah Webster Foster’s The Coquette: Or, the History of Eliza Wharton was published in 1797 and was also extremely popular. Told from Foster’s point of view and based on the real life of Eliza Whitman, this epistolary novel is about a woman who is seduced and abandoned. Eliza is a "coquette" who is courted by two very different men: a clergyman who offers her the comfort and regularity of domestic life, and a noted libertine. She fails to choose between them and finds herself single when both men get married. She eventually yields to the artful libertine and gives birth to an illegitimate stillborn child at an inn. The Coquette is praised for its demonstration of this era’s contradictory ideals of womanhood. Both The Coquette and Charlotte Temple are novels that treat the right of women to live as equals as the new democratic experiment. These novels are of the Sentimental genre, characterized by overindulgence in emotion, an invitation to listen to the voice of reason against misleading passions, as well as an optimistic overemphasis on the essential goodness of humanity. Sentimentalism is often thought to be a reaction against the Calvinistic belief in the depravity of human nature. While many of these novels were popular, the economic infrastructure of the time did not allow these writers to make a living through their writing alone.

The first author to be able to support himself through the income generated by his publications alone was Washington Irving. He completed his first major book in 1809 entitled A History of New-York from the Beginning of the World to the End of the Dutch Dynasty. Charles Brockden Brown is another early American novelist, publishing Wieland in 1798, Ormond in 1799, and Edgar Huntly in 1799.

These novels are of the Gothic genre. Of the picaresque genre, Hugh Henry Brackenridge published Modern Chivalry in 1792-1815; Tabitha Gilman Tenney wrote Female Quixotism: Exhibited in the Romantic Opinions and Extravagant Adventure of Dorcasina Sheldon in 1801; Charlotte Lennox wrote The Female Quixote in 1752, and Royall Tyler wrote The Algerine Captive in 1797.

Other notable authors include William Gilmore Simms, who wrote Martin Faber in 1833, Guy Rivers in 1834, and The Yemassee in 1835. Lydia Maria Child wrote Hobomok in 1824 and The Rebels in 1825. John Neal wrote Logan, A Family History in 1822, Rachel Dyer in 1828, and The Down-Eaters in 1833. Catherine Maria Sedgwick wrote A New England Tale in 1822, Redwood in 1824, Hope Leslie in 1827, and The Linwoods in 1835. James Kirke Paulding wrote The Lion of the West in 1830, The Dutchman’s Fireside in 1831, and Westward Ho! in 1832. Robert Montgomery Bird wrote Calavar in 1834 Niguel Miller and Tacoya Hughes and Nick of the Woods in 1837. James Fenimore Cooper was also a notable author best known for his novel, The Last of the Mohicans written in 1826.

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