Musical Style
Sanz is known for his distinctive raspy vocals, which he attributes to his flamenco roots, crediting singer Camarón de la Isla as a major influence. His song "Sí, He Cantado Mal" (Yes, I Have Sung Badly) from No Es lo Mismo references this, with Sanz saying "I'm laughing a little at myself so that I can laugh at other things. Sometimes, I'm harder on myself than any music critic can be. I'm laughing at that." Throughout his youth, Sanz was heavily influenced by English-language heavy metal groups such as Iron Maiden and Dio, referring to himself as a "heavy metal radical". He also feels that living in the city of Cadiz had a major impact on his musical style, where "Any 7-year-old kid you find knows how to play guitar, play the cajón, knows how to sing. When the family comes together we start to sing. In a way it's not just music, it's culture."
Early in his career, his music generally consisted of romantic ballads. However, in the late 1990s, his collaborations with other artists greatly expanded his musical style. On No Es lo Mismo, he experimented with rock, salsa, and hip hop. While recording the album, he noted that he often entered the studio with a rough idea for a song and the guest artists would "contaminate it with their rhythms...in a good way." El Tren de los Momentos continued this pattern of musical experimentation, featuring diverse genres such as funk, jazz, and country. Despite this, Jason Birchmeier of Allmusic described his musical evolution by saying "Even as Sanz broadened his style over the years, he never ventured far from his strength: romantic songs, generally ballads, tinged with flamenco and sung wholeheartedly with his distinct voice."
Read more about this topic: Alejandro Sanz
Famous quotes containing the words musical and/or style:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
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“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
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