Story
The story centres around Hitoshi Kōbe, a guy who is neither academically gifted nor good at sports, so he does not do very well at school.
Hitoshi has only one thing going for him - his ability to program computers. In fact, he is so good at this he has created programs that can rewrite themselves - Artificial Intelligence, in other words. So far he has created thirty of these programs, and the latest - whom he names Saati ( The Japanese pronunciation of the English word "Thirty" )- is so advanced that conversation with her is indistinguishable from a normal girl and, thus, would easily pass the Turing test.
However, there is still the barrier of Hitoshi being in the physical world and Saati being a program, until one day a freak lightning strike materializes her into the real world, where she becomes the girlfriend of Hitoshi.
The series then follows their now not so ordinary lives, as well as other A.I.s of Hitoshi's creation. The basic plotline is derivative of the Kōsuke Fujishima manga Oh My Goddess!, with the AI constructs being analogous to the goddess characters of the earlier manga. The setting also bears similarities to the John Hughes film Weird Science. Both feature male protagonists creating their ideal girlfriends on computers and both girls are brought into the real world via lightning, bearing somewhat superhuman powers. Despite these obvious similarities however, Akamatsu claims not to have seen the film prior to creating the series.
Read more about this topic: A.I. Love You
Famous quotes containing the word story:
“Wit is often concise and sparkling, compressed into an original pun or metaphor. Brevity is said to be its soul. Humor can be more leisurely, diffused through a whole story or picture which undertakes to show some of the comic aspects of life. What it devalues may be human nature in general, by showing that certain faults or weaknesses are universal. As such it is kinder and more philosophic than wit which focuses on a certain individual, class, or social group.”
—Thomas Munro (1897–1974)
“Its idea of “production value” is spending a million dollars dressing up a story that any good writer would throw away. Its vision of the rewarding movie is a vehicle for some glamour-puss with two expressions and eighteen changes of costume, or for some male idol of the muddled millions with a permanent hangover, six worn-out acting tricks, the build of a lifeguard, and the mentality of a chicken-strangler.”
—Raymond Chandler (1888–1959)
“For never was a story of more woe
Than this of Juliet and her Romeo.”
—William Shakespeare (1564–1616)