Characters
- Alex: The novel's anti-hero and leader among his droogs. He often refers to himself as "Your Humble Narrator". (Having seduced two girls in a music shop, Alex refers to himself as "Alexander the Large" while ravishing them; this was later the basis for Alex's claimed surname DeLarge in the 1971 film.)
- George or Georgie: Effectively Alex's greedy second-in-command. Georgie attempts to undermine Alex's status as leader of the gang. He is later killed during a botched robbery, while Alex is in prison.
- Pete: The most rational and least violent member of the gang. He is the only one who doesn't take particular sides when the droogs fight among themselves. He later meets and marries a girl, renouncing his old ways and even losing his former speech patterns. A chance encounter with Pete in the final chapter influences Alex's wishes to reform and become a productive member of society.
- Dim: An idiotic and thoroughly gormless member of the gang, persistently condescended to by Alex, but respected to some extent by his droogs for his formidable fighting abilities, his weapon of choice being a length of bike chain. He later becomes a police officer, exacting his revenge on Alex for the abuse he once suffered under his command.
- P. R. Deltoid: A criminal rehabilitation social worker assigned the task of keeping Alex on the straight and narrow. He seemingly has no clue about dealing with young people, and is devoid of empathy or understanding for his troublesome charge. Indeed, when Alex is arrested for murdering an old woman, and then ferociously beaten by several police officers, Deltoid simply spits on him.
- The prison chaplain: The character who first questions whether it's moral to turn a violent person into a behavioural automaton who can make no choice in such matters. This is the only character who is truly concerned about Alex's welfare; he is not taken seriously by Alex, though. (He is nicknamed by Alex "prison charlie" or "chaplin", an allusion to Charlie Chaplin.)
- Billyboy: A rival of Alex's. Early on in the story, Alex and his droogs battle Billyboy and his droogs, which ends abruptly when the police arrive. Later, after Alex is released from prison, Billyboy (along with Dim, who like Billyboy has become a police officer) rescue Alex from a mob, then subsequently beat him, in a location out of town.
- The prison governor: The man who decides to let Alex "choose" to be the first reformed by the Ludovico technique.
- The Minister of the Interior, or the Inferior, as Alex refers to him. The government high-official who is determined that Ludovico's technique will be used to cut recidivism.
- Dr. Branom: Brodsky's colleague and co-developer of the Ludovico technique. He appears friendly and almost paternal towards Alex at first, before forcing him into the theatre and what Alex calls the "chair of torture".
- Dr. Brodsky: The scientist and co-developer of the "Ludovico technique". He seems much more passive than Branom, and says considerably less.
- F. Alexander: An author who was in the process of typing his magnum opus A Clockwork Orange, when Alex and his droogs broke into his house, beat him, tore up his work and then brutally gang-raped his wife, which caused her subsequent death. He is left deeply scarred by these events, and when he encounters Alex two years later he uses him as a guinea pig in a sadistic experiment intended to prove the Ludovico technique unsound.
- Cat Woman: An indirectly named woman who blocks Alex's gang's entrance scheme, and threatens to shoot Alex and set her cats on him if he doesn't leave. After Alex breaks into her house, she fights with him, ordering her cats to join the melee, but reprimands Alex for fighting them off. She sustains a fatal blow to the head during the scuffle.
Read more about this topic: A Clockwork Orange
Famous quotes containing the word characters:
“The business of a novelist is, in my opinion, to create characters first and foremost, and then to set them in the snarl of the human currents of his time, so that there results an accurate permanent record of a phase of human history.”
—John Dos Passos (18961970)
“There are as many characters in men
As there are shapes in nature.”
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“His leanings were strictly lyrical, descriptions of nature and emotions came to him with surprising facility, but on the other hand he had a lot of trouble with routine items, such as, for instance, the opening and closing of doors, or shaking hands when there were numerous characters in a room, and one person or two persons saluted many people.”
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