Literary Works
In approximately 280, Zuo wrote the "Shu Capital Rhapsody" (蜀都赋), the first of his rhapsodies on the three capitals of the Three Kingdoms Period. The Shu Capital Rhapsody described the city of Chengdu and the surrounding area. This work features the earliest surviving reference to Mount Emei. The work was so highly renowned and frequently copied upon its release that the price of paper in Luoyang is said to have risen as a result. This later gave rise to the popular Chinese idiom 洛阳纸贵 ("Paper is Expensive in Luoyang"), today used to praise a literary work.
Zuo described his rhapsodies on the three capitals as derivative of similar works by Zhang Heng and Ban Gu. However, Mark Edward Lewis has written that Zuo's rhapsodies marked the end of the Han Dynasty ideal of the ritually perfect capital, because they describe three simultaneously existing, contemporary capitals, suppressing the ritual and historical evolution that structured the previous works. Zuo argued for accuracy as the basis of poetry, in contrast to the fantastic writings of Han poets. In his preface to the three rhapsodies, he wrote that while writers of lyric verse "sing of what their hearts are set upon", writers of descriptive rhapsodies "praise what they observe".
Zuo's poetry, particularly his poem Summoning the Recluse, is regarded as representative of the medieval Chinese "poetry of seclusion" or "poetry of the recluse". Unlike earlier poems, which encouraged readers to leave the wilderness for the official life, Zuo advocates a return to the wilderness. Gaul and Hiltz attribute this change in perspective to the replacement of Shamanistic beliefs with Confucian ethics and Daoist religion.
Read more about this topic: Zuo Si
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