Critical Reception
Zorro opened at the Garrick Theatre in London to almost entirely favourable reviews. The Flamenco-based score and choreography were especially praised, as were the fight scenes. Michael Billington of the Guardian wrote, "The show may not be high art but it's great fun and brings a refreshingly different, Hispanic sound to the jaded world of West End musicals." He also noted, “The show is popular theatre that actually delivers the goods.” The Times noted, "Stephen Clark's book and Christopher Renshaw's production have the merit of not taking themselves too seriously. However, that's a plus bought at a price, for narrative excitement is largely sacrificed. Imagine a mix of Errol Flynn and Monty Python, and you have the feel." Michael Coveney of What's On Stage wrote, “An onstage flamenco fiesta that sets feet tapping and blood racing round the stalls.” Charles Spencer of The Daily Telegraph referred to Zorro as, “An insanely enjoyable musical.”
In its preview, the Evening Standard stated that whether the show becomes a hit or flop, "an eclectic combination of talents and influences will make Zorro the musical memorable." Since its successful opening, Zorro has announced that it is extending its contract into 2009.
Read more about this topic: Zorro (musical)
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