Production
Writer/director David Gebroe has discussed the genesis of the film in several interviews and in a "Behind the Scenes" feature on the 2006 Showtime Entertainment DVD release. Shortly after Gebroe completed his first feature film, The Homeboy, in March 2002, his younger sister's husband died in a surfing accident. Many of the details in the movie mirror his sister's story, including his sister Denise's art and her plan to move to Portugal with her husband, Danny. Gebroe was inspired by her experience to write a movie which, in his words, is "bout how terrifying it is to dedicate yourself wholly and completely to a relationship in the knowledge that one day that person might be taken from you just like that." Gebroe told horror fansite Hollywood Gothique in 2005 that "Above everything else, ...was kind of a valentine to her strength, her ability to get through her grief and keep moving in life." His choice of zombies to represent "the cruel hand of fate" was inspired both by the psychobilly music which his sister and her husband enjoyed and by the 1979 film Zombie by Lucio Fulci, which he and his sister saw as young children. He also cites as influences Roman Polanski's Macbeth, David Cronenberg's The Fly and Paul Morrissey's Andy Warhol's Frankenstein.
Read more about this topic: Zombie Honeymoon
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)