Musician
Zola has enjoyed success as a Kwaito superstar, and is probably the most popular Kwaito artist in the country; Lance Stehr of Ghetto Ruff records has referred to Zola as "the second biggest brand in the country next to Nelson Mandela." Zola not only performs but also writes and produces some of his own music, signing to the independent label Ghetto Ruff records. Zola will be recording a posthumous collaboration with hip-hop legend Tupac Shakur. The track will be recorded in South Africa but feature on a CD to commemorate the 10th anniversary of Shakur's death on 13 September 1996. Zola is also the owner of the music company Guluva Entertainment.
Originally, Zola was not a fan of Kwaito music, because it "had no message." He has taken upon himself to change this, viewing himself as a role model. "I want to inspire a guy from the ghetto so he can stop hanging around in the corner begging and try to get some life." In the song "Mdlwembe", which literally means problem child, he expresses his feelings about the neighborhood he grew up in. He talks about the horrible quality of life of the township, particularly the extreme level crime and violence. "Beware of the Zola boys, We do crime for money" demonstrates Zola's past and also the perpetual anguish of life in a ghetto. Today, Zola works on behalf of younger performers, helping them to be integrated into the music industry. He is a pioneer in social action and benefit projects in South Africa.
Kwaito is branded as apolitical; often associated with the advancement of personal wealth, Glamorized gangster lifestyle, and frivolous consumption themes found in much of Jamaican Dancehall and Rap. The Genre is associated with a new political freedom gain since the end of Apartheid in South Africa and less political strife. The form of the Kwaito produced by Zola is in that case an anomaly in that it is very much politically charged and contains a social message.
Zola raps in isiZulu with high usage of tsotsi. Tsotsitaal is the vernacular slang in South Africa. This infusion of colloquial dialect with a national language allows for better interaction between the artists and the community South Africans in lower socio-economic classes who live in the townships and speak tsotsi can relate to Kwaito music differently than to Cape Town hip hop or US hip hop because of the lyrics. Additionally many of his songs describe situations of life in the townships more specifically in Soweto
On 7 July 2007 Zola performed at the South African leg of Live Earth.
Read more about this topic: Zola (entertainer)
Famous quotes containing the word musician:
“The mastery of one’s phonemes may be compared to the violinist’s mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbor’s renderings indulgently, mentally rectifying the more glaring inaccuracies.”
—W.V. Quine (b. 1908)
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—Wallace Stevens (1879–1955)