Popularity and Musical Style
Argov was among the first singers to achieve commercial and nationwide success in the sphere of Middle Eastern-Mediterranean/oriental (Mizrahi)-style music, despite the fact that his music was not mainstream at the time, and radio stations gave predominance to pop music from overseas. Some believe that the great popularity of Argov and other Mizrahi singers of his time, among them Avihu Medina, Haim Moshe and Margalit Tzan'ani, was a response to the widespread sense among Mizrahi Jews in Israel that they were being discriminated against by the Ashkenazi hegemony.
The themes of Argov's songs were similar to those of American country music: love, heartache, disappointments, joy, addiction. He is considered a prodigy by many in the music business. Arranger and conductor Nancy Brandes, who musically directed many of his recordings, described him as a musical genius: He could make perfect recordings in one take, and when asked to do another take, was able to sing a totally different version just as perfectly. Argov had a remarkable talent for improvisation that respected the spirit of the song while allowing him to leave his personal mark.
Read more about this topic: Zohar Argov
Famous quotes containing the words popularity and, popularity, musical and/or style:
“A large part of the popularity and persuasiveness of psychology comes from its being a sublimated spiritualism: a secular, ostensibly scientific way of affirming the primacy of “spirit” over matter.”
—Susan Sontag (b. 1933)
“A large part of the popularity and persuasiveness of psychology comes from its being a sublimated spiritualism: a secular, ostensibly scientific way of affirming the primacy of “spirit” over matter.”
—Susan Sontag (b. 1933)
“Sometimes a musical phrase would perfectly sum up
The mood of a moment. One of those lovelorn sonatas
For wind instruments was riding past on a solemn white horse.
Everybody wondered who the new arrival was.”
—John Ashbery (b. 1927)
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)