Production
Director Seijun Suzuki was ostensibly terminated from his contract with Nikkatsu Studios in 1968 for making "movies that make no sense and no money" and subsequently blacklisted. In the proceeding years he met frequently with his crew at his home in developing ideas for new projects. This resulted in Zigeunerweisen and Kagero-za—the first two films in what would become Suzuki's Taishō Roman Trilogy. Suzuki felt that action films were falling out of favour and wanted to create a new type of film. Writer Yōzō Tanaka lived close by and visited Suzuki regularly where they infrequently discussed the film during games of Go. The story was based on Hyakken Uchida's novel, Disk of Sarasate. It was felt to be too short and was expanded from their conversations. For example, when Tanaka's uncle died during that time, he noticed that his cremated bones were pink. This was incorporated into the screenplay.
Suzuki's de facto blacklisting ended with the release of his critically and commercially unsuccessful 1977 film A Tale of Sorrow and Sadness. The money to finance Zigeunerweisen only became available in 1979 when Suzuki met then–theatre producer Genjiro Arato. Thus it became their first fully independently produced film. It was shot on location in Japan.
Read more about this topic: Zigeunerweisen (film)
Famous quotes containing the word production:
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)
“Just as modern mass production requires the standardization of commodities, so the social process requires standardization of man, and this standardization is called equality.”
—Erich Fromm (1900–1980)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)