Production
Director Seijun Suzuki was ostensibly terminated from his contract with Nikkatsu Studios in 1968 for making "movies that make no sense and no money" and subsequently blacklisted. In the proceeding years he met frequently with his crew at his home in developing ideas for new projects. This resulted in Zigeunerweisen and Kagero-za—the first two films in what would become Suzuki's Taishō Roman Trilogy. Suzuki felt that action films were falling out of favour and wanted to create a new type of film. Writer Yōzō Tanaka lived close by and visited Suzuki regularly where they infrequently discussed the film during games of Go. The story was based on Hyakken Uchida's novel, Disk of Sarasate. It was felt to be too short and was expanded from their conversations. For example, when Tanaka's uncle died during that time, he noticed that his cremated bones were pink. This was incorporated into the screenplay.
Suzuki's de facto blacklisting ended with the release of his critically and commercially unsuccessful 1977 film A Tale of Sorrow and Sadness. The money to finance Zigeunerweisen only became available in 1979 when Suzuki met then–theatre producer Genjiro Arato. Thus it became their first fully independently produced film. It was shot on location in Japan.
Read more about this topic: Zigeunerweisen (film)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)