Early Life and Writing
Zhu Wen was born in 1967 in Quanzhou City, Fujian Province. He attended Southeast University in Nanjing, and graduated with a degree in electric power. After working as an engineer in a state-owned thermal power plant for five years, he quit his job in 1994 to become a freelance writer.
His first published short story, I Love Dollars, was denounced by some critics as the "shameless and indecent novel of a hooligan."
In 1998, he instigated and became identified with the Rupture movement(duanlie) to voice dissatisfaction with the literary establishment. He sent questionnaires to about 70 writers, about 55 of which responded. The responses were sarcastic and mostly expressed discontent, and later spawned publications that nurtured more independence among writers.
In an introduction to Zhu Wen's short stories, translator Julia Lovell characterized his 'trademark narrative style' as "a loosely punctuated, first-person voice in which speech, both direct and indirect, run on within sentences of descriptive prose, designed to capture the unceremonious, free-flowing rhythms of action and dialogue in contemporary China."
As a writer, he was labeled as part of a 'newly-born generation' (xinshengdai) movement.
He began writing short stories and novellas in 1991. He has written the following novellas:
- I Love Dollars《我爱美元》(1994)
- A Boat Crossing《三生修得同舟渡》 (1995)
- A Hospital Night 《幸亏这些年有了一点钱》 (1996)
- Wheels 《把穷人统统打昏》 (1998)
- Ah, Xiao Xie《小谢啊小谢》(1999)
- 《因为孤独》
- 《弟弟的演奏》
- 《人民到底需不需要桑拿》
- 《大汗淋漓》
His only novel-length work is What is Garbage, What is Love. (什么是拉圾，什么是爱).
A selection of his short stories were translated by Julia Lovell and published by Columbia University Press in January 2007.
Read more about this topic: Zhu Wen (director)
Famous quotes containing the words early, life and/or writing:
“Some would find fault with the morning red, if they ever got up early enough.”
—Henry David Thoreau (1817–1862)
“Thou gav’st me life, but mortal; for that one
Favour I’ll make full satisfaction:
For my life mortal, rise from out thy hearse,
And take a life immortal from my verse.”
—Robert Herrick (1591–1674)
“That of all the several ways of beginning a book which are now in practice throughout the known world, I am confident my own way of doing it is the best—I’m sure it is the most religious—for I begin with writing the first sentence—and trusting to Almighty God for the second.”
—Laurence Sterne (1713–1768)