Zhang Yimou - Early Career

Early Career

When the Beijing Film Academy reopened its doors to new students in 1978, following the abandonment of policies adopted during the Cultural Revolution, Zhang, at 27, was over the regulation age for admission, and was without the prerequisite academic qualifications. After a personal appeal to the Ministry of Culture, and showing a portfolio of his personal photographic works, the authorities relented and admitted him to the Faculty of Cinematography. Zhang graduated with the class of 1982, which also included Chen Kaige, Tian Zhuangzhuang, and Zhang Junzhao. The class went on to form the core of the Fifth Generation, who were a part of an artistic reemergence in China after the end of the Cultural Revolution.

Zhang and his co-graduates were assigned to small regional studios, and Zhang was sent to work for the Guangxi Film Studio as a cinematographer. Though originally intended to work as director's assistants, the graduates soon discovered there was a dearth of directors so soon after the Cultural Revolution, and gained permission to start making their own films. This led to the production of Zhang Junzhao's One and Eight, on which Zhang Yimou worked as director of photography, and Chen Kaige's Yellow Earth, in 1984. These two films were successes at the Hong Kong Film Festival and helped to bring the new Chinese cinema to the attention of worldwide audiences, signaling a departure from the earlier propagandist films of the Cultural Revolution. Yellow Earth is today widely considered the inaugural film of the Fifth Generation directors.

In 1985, after moving back to his home town of Xi'an, Zhang was engaged as cinematographer and lead actor for director Wu Tianming's upcoming film Old Well, which was subsequently released in 1987. The lead role won Zhang a Best Actor award at the Tokyo International Film Festival.

Read more about this topic:  Zhang Yimou

Famous quotes containing the words early and/or career:

    We have been told over and over about the importance of bonding to our children. Rarely do we hear about the skill of letting go, or, as one parent said, “that we raise our children to leave us.” Early childhood, as our kids gain skills and eagerly want some distance from us, is a time to build a kind of adult-child balance which permits both of us room.
    Joan Sheingold Ditzion (20th century)

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)