History
In his plan for Washington, Pierre Charles L'Enfant intended a column to be placed 1 mile east of the Capitol, of which is now Lincoln Park, "from which all distances of places through the continent were to be calculated." Instead, in 1804, the Jefferson Stone or Jefferson Pier was placed on the meridian of the White House due west of the Capitol (119 m WNW of the center of the Washington Monument) to mark the Washington meridian, 77° 02' 12.0".
The current Zero Milestone monument was conceived by Good Roads Movement advocate Dr. S. M. Johnson, formally proposed on June 7, 1919. He was inspired by ancient Rome's Golden Milestone located in the Forum. On July 7, 1919, a temporary marker for the Zero Milestone was dedicated on the Ellipse south of the White House during ceremonies launching the Army's first attempt to send a convoy of military vehicles across the country to San Francisco, California. On June 5, 1920, Congress authorized the Secretary of War to erect the current monument, design to be approved by the Commission of Fine Arts and installed at no expense to the government. Dr. Johnson took charge of the details and raised donations for the design and construction. The permanent Zero Milestone was dedicated in a ceremony on June 4, 1923.
Read more about this topic: Zero Milestone
Famous quotes containing the word history:
“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
—Ralph Waldo Emerson (1803–1882)
“We have need of history in its entirety, not to fall back into it, but to see if we can escape from it.”
—José Ortega Y Gasset (1883–1955)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)