Development
The modern development and construction was financed from an endowment, initially funded with money left over from the earlier Zeppelin company, that had been under the trusteeship of the Mayor of Friedrichshafen. A stipulation on the endowment limited use of its funds to the field of airships. Over the many years, the investment value of the endowment grew to a point where the time seemed right to use it for the design, development, and construction of a new Zeppelin.
The initial design study was prepared in 1989. The ZLT was founded as a spin-off of the Zeppelin company in September 1993. It began to construct a prototype in 1995. The prototype first took to the air in September 1997.
On July 2, 2000, the centennial of the first Zeppelin flight, the prototype SN 01 was christened D-LZFN Friedrichshafen. Subsequently, it traveled some 3,600 km in test flights.
In 2001 the company began manufacturing the Zeppelin NT in series and began to exploit the airships commercially. The second ship SN 02 was christened D-LZZR Bodensee on August 10, 2001 and started to give joyrides five days later. By the end of that year, it had already transported 3,222 passengers, a figure that rose to about 30,000 by November 2003.
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Famous quotes containing the word development:
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)
“As a final instance of the force of limitations in the development of concentration, I must mention that beautiful creature, Helen Keller, whom I have known for these many years. I am filled with wonder of her knowledge, acquired because shut out from all distraction. If I could have been deaf, dumb, and blind I also might have arrived at something.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (18451923)