The Ruler of the Universe is a man living in a small shack on a world that can only be reached with a key to an improbability field or use of an Infinite Improbability Drive. He does not want to rule the universe and tries not to whenever possible, and therefore is by far the ideal candidate for the job. He has an odd, solipsistic view of reality: he lives alone with his cat, which he has named 'The Lord' even though he is not certain of its existence. He has a very dim view of the past, and he only believes in what he senses with his eyes and ears (and doesn't seem too certain of that, either): anything else is hearsay, so when executive-types visit to ask him what he thinks about certain matters, such as wars and the like, he tells them how he feels without considering consequences. As part of his refusal to accept that anything is true, or simply as another oddity, "He talked to his table for a week to see how it would react." He does sometimes admit that some things may be more likely than others – e.g., that he might like a glass of whiskey, which the visitors leave for him.
In the radio adaptation of the novel Mostly Harmless, Ford also meets Zaphod in the accounting department of the new Guide offices. Zaphod describes being bored by a man in a shack and his cat for over a year.
Appears in:
- fit the twelfth of the radio series
- the novel The Restaurant at the End of the Universe
Referenced in:
- the radio series The Quintessential Phase
He was voiced on radio by Stephen Moore (in the original Radio Times listing he was announced as being played by Ron Hate - an anagram of "A.N. Other" or possibly "No Earth" - because the show was so far behind schedule that the role had not been cast when the magazine went to print).
Read more about this topic: Zarniwoop Vann Harl
Famous quotes containing the words ruler and/or universe:
“A scholar, in his Segmenta, left a note,
As follows, “The Ruler of Reality,
If more unreal than New Haven, is not
A real ruler, but rules what is unreal.””
—Wallace Stevens (1879–1955)
“Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everything ... and that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.”
—William Barrett (b. 1913)