Zand Dynasty - Culture

Culture

The Zand era was an era of relative peace and economic growth for the country. Many territories that were once captured by the Ottomans in the late Safavid era were retaken, and Iran was once again a coherent and prosperous country. After Iranian painting reached its height at the end of the 17th century, a special school of painting took shape during the Zand era in the 17th and 18th centuries. The art of this era is remarkable and, despite the short length of the dynasty, a distinct Zand art had the time to emerge. Many Qajar artistic traits were copied from the Zand examples.

In foreign policy, Karim Khan attempted to revive the Safavid era trade by allowing the British to establish a trading post in the port of Bushehr. This opened the hands of the British East India company in Iran and increased their influence in the country. The taxation system was reorganized in a way that taxes were levied fairly. The judicial system was fair and generally humane. Capital punishment was rarely implemented.

Read more about this topic:  Zand Dynasty

Famous quotes containing the word culture:

    If mass communications blend together harmoniously, and often unnoticeably, art, politics, religion, and philosophy with commercials, they bring these realms of culture to their common denominator—the commodity form. The music of the soul is also the music of salesmanship. Exchange value, not truth value, counts.
    Herbert Marcuse (1898–1979)

    One of the oddest features of western Christianized culture is its ready acceptance of the myth of the stable family and the happy marriage. We have been taught to accept the myth not as an heroic ideal, something good, brave, and nearly impossible to fulfil, but as the very fibre of normal life. Given most families and most marriages, the belief seems admirable but foolhardy.
    Jonathan Raban (b. 1942)

    Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
    Johan Huizinga (1872–1945)