History
Italian cymbal-maker, Fiorello Zanchi, reputedly started out working for the Tronci family of cymbal/pipe organ makers in the 1920s, according to Pinksterboer. Per the same source, it is said that Fiorello started his own workshop, Zanchi, in 1947, and began producing handmade, hand-hammered cymbals. However, to date none of these pre-50s Zanchis have shown themselves on the market (see below). Zanchi cymbals were marketed primarily in Europe.
Some of their earlier series included the "Vibra Cymbals" line; for a number of years, Vibras were believed to have been produced in the 60s or 70s. Recent information provided by an owner of some hi-hats in Connecticut confirms that his were purchased in 1958, so this is the oldest attribution anyone has contributed thus far. A few F & F Vibra cymbals have appeared on the market which also show the "Revere" embossment: interesting because Revere was an early stencil brand of Pearl, Japan in the 60s, so one may presume that, for some period of time, Zanchi had a business relationship with Pearl. Vibras were B20 Alloy, usually thin, and are described by some as trashy sounding. Yet, their sizzle and iciness are considered by some musicians to be unique, even by today's standards.
Read more about this topic: Zanchi (cymbals)
Famous quotes containing the word history:
“The basic idea which runs right through modern history and modern liberalism is that the public has got to be marginalized. The general public are viewed as no more than ignorant and meddlesome outsiders, a bewildered herd.”
—Noam Chomsky (b. 1928)
“the future is simply nothing at all. Nothing has happened to the present by becoming past except that fresh slices of existence have been added to the total history of the world. The past is thus as real as the present.”
—Charlie Dunbar Broad (1887–1971)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)