Work and Influences
Akhlaq's painting invoked a dialogue between modernist abstraction and many 'traditional' forms and practices found within South Asia (including Mughal Miniature painting, calligraphy, vernacular architecture to name but a few). At a time when his contemporaries in South Asia were developing their work within a modernist tradition, or had primitivist leanings, he eschewed both schools by merging his interest in abstractions with traditional and vernacular practices. Although he famously evaded the label of an abstract artist, his work mostly fits this definition
Akhlaq's influences are from a vast range of sources, which include painting, literature, philosophy, Sufism, dance, and music. His teaching and practice is considered to have had a significant impact on a generation of Contemporary Pakistani art and artists.
Read more about this topic: Zahoor Ul Akhlaq
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“The true poem is not that which the public read. There is always a poem not printed on paper,... in the poet’s life. It is what he has become through his work. Not how is the idea expressed in stone, or on canvas or paper, is the question, but how far it has obtained form and expression in the life of the artist. His true work will not stand in any prince’s gallery.”
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