Zahir Raihan - Professional Career

Professional Career

Zahir Raihan received his post graduate degree in Bengali Literature. Along with literature works Raihan started working as a journalist when he joined Juger Alo in 1950..Later he also worked in newspapers, namely Khapchhara, Jantrik, and Cinema. He also worked as the editor of Probaho in 1956. His first collection of short stories, titled Suryagrahan, was published in 1955. He worked as an assistant in the film Jago Huya Sabera in 1957. This was his first foot print in film. He also assisted Salahuddin in the film Je Nodi Morupothay. The filmmaker Ehtesham also took him for his movie A Desh Tomar Amar, for which he wrote the title song. In 1960 he arrived as a director with his film Kokhono Asheni. In 1964, he made Pakistan's first colour movie, Sangam, and completed his first CinemaScope movie, Bahana, the following year.

He was an active worker of the Language Movement of 1952 and was present at the historical meeting of Amtala on February 21, 1952. The effect of language movement was so high on him that he made his legendary film "Jibon Theke Neya" based on it. He also took part in the "Gano Obhyuthyan" in 1969. In 1971 he joined in the Liberation War of Bangladesh and created documentary films on this great event. During the war of liberation Raihan went to Kolkata where his film "Jibon Theke Neya" were shown. His film was highly acclaimed by Satyajit Ray, Mrinal Sen, Tapan Sinha and Ritwik Ghatak. Though he had his financial problem going on that time, he gave all his money to the Freedom Fighters trust that he got from the show.

Read more about this topic:  Zahir Raihan

Famous quotes containing the words professional and/or career:

    We have been weakened in our resistance to the professional anti-Communists because we know in our hearts that our so-called democracy has excluded millions of citizens from a normal life and the normal American privileges of health, housing and education.
    Agnes E. Meyer (1887–1970)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)