The term Z movie (or grade-Z movie) arose in the mid-1960s as an informal description of certain unequivocally non-A films. It was soon adopted to characterize low-budget pictures with quality standards well below those of most B movies and even so-called C movies. While B movies may have mediocre scripts and actors who are relatively unknown or past their prime, they are for the most part competently lit, shot, and edited.
The economizing shortcuts of films identified as C movies tend to be evident throughout; nonetheless, films to which the C label is applied are generally the products of relatively stable entities within the commercial film industry and thus still adhere to certain production norms. In contrast, most films referred to as Z movies are made for very little money on the fringes of the organized film industry or entirely outside it. As a result, scripts are often poorly written, continuity errors tend to arise during shooting, and nonprofessional actors are frequently cast. Many Z movies are also poorly lit and edited. The micro-budget "quickies" of 1930s fly-by-night Poverty Row production houses may be thought of as Z movies avant la lettre. Later Zs may not evidence the same degree of technical incompetence; in addition to bargain-basement scripts and acting, they are often characterized by violent, gory, and/or sexual content and a minimum of artistic interest, readily falling into the category of exploitation, or "grindhouse" films.
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“It was easy to recognize in him the anti-social animus of a born evangelist, but there was also something elsea kind of voluptuous delight in the shabby and preposterous, a perverted aestheticism like that of a latter-day movie or radio fan, a wild will to roll in and snuffle balderdash as a cat rolls in and snuffles catnip.”
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