Works
Whilst at university, Vera submitted a story to a Toronto magazine: the publisher asked for more, so she sat down to write them. Her collection of short stories, Why Don't You Carve Other Animals was published in 1992. It was followed by five completed novels:
- Nehanda (1993), short-listed for Commonwealth Writers' Prize
- Without a Name (1994), awarded Commonwealth Writers' Prize for Africa and Zimbabwe Publishers' Literary Award
- Under the Tongue (1997)
- Butterfly Burning (2000), awarded German Literature Prize 2002, chosen as one of Africa's 100 Best Books of the 20th Century in 2002
- The Stone Virgins (2002), awarded Macmillan Writers' Prize for Africa
At the time of her death she was working on a new novel, Obedience. Her works have been published in Zimbabwe, Canada and several other countries, including translations into Spanish, Italian and Swedish.
Vera wrote obsessively, often for 10 hours a day, and described time when she was not writing as "a period of fasting." Her work was passionate and lyrical. She took on themes such as rape, incest and infanticide, and gender inequality in Zimbabwe before and after the country's war of independence with sensitivity and courage. She said, "I would love to be remembered as a writer who had no fear for words and who had an intense love for her nation." In 2004 she was awarded the Swedish PEN Tucholsky Prize "for a corpus of works dealing with taboo subjects".
Vera also edited several anthologies by Zimbabwean women writers.
Read more about this topic: Yvonne Vera
Famous quotes containing the word works:
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (18991977)
“The difference between de jure and de facto segregation is the difference open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.”
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“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where mans works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
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