Works
Whilst at university, Vera submitted a story to a Toronto magazine: the publisher asked for more, so she sat down to write them. Her collection of short stories, Why Don't You Carve Other Animals was published in 1992. It was followed by five completed novels:
- Nehanda (1993), short-listed for Commonwealth Writers' Prize
- Without a Name (1994), awarded Commonwealth Writers' Prize for Africa and Zimbabwe Publishers' Literary Award
- Under the Tongue (1997)
- Butterfly Burning (2000), awarded German Literature Prize 2002, chosen as one of Africa's 100 Best Books of the 20th Century in 2002
- The Stone Virgins (2002), awarded Macmillan Writers' Prize for Africa
At the time of her death she was working on a new novel, Obedience. Her works have been published in Zimbabwe, Canada and several other countries, including translations into Spanish, Italian and Swedish.
Vera wrote obsessively, often for 10 hours a day, and described time when she was not writing as "a period of fasting." Her work was passionate and lyrical. She took on themes such as rape, incest and infanticide, and gender inequality in Zimbabwe before and after the country's war of independence with sensitivity and courage. She said, "I would love to be remembered as a writer who had no fear for words and who had an intense love for her nation." In 2004 she was awarded the Swedish PEN Tucholsky Prize "for a corpus of works dealing with taboo subjects".
Vera also edited several anthologies by Zimbabwean women writers.
Read more about this topic: Yvonne Vera
Famous quotes containing the word works:
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)
“The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
—Henry David Thoreau (1817–1862)
“There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
—Ralph Waldo Emerson (1803–1882)