Sources and Reception
Chrétien's source for the poem is unknown, but the story bears a number of similarities to the hagiographical Life of Saint Mungo (also known as Saint Kentigern), which claims Owain mab Urien as the father of the saint by Denw, daughter of Lot of Lothian. The Life was written by Jocelyn of Furness in ca. 1185, and is thus slightly younger than Chrétien's text, but not influenced by it. Jocelyn states that he rewrote the 'life' from an earlier Glasgow legend and an old Gaelic document, so that some elements of the story may originate in a British tradition. The name of the main character Yvain, at least, ultimately harks back to the name of the historical Owain mab Urien (fl. 6th century).
Yvain survives in eight manuscripts and two fragments. It comprises 6,808 octosyllables in rhymed couplets. Two manuscripts are illustrated, Paris BN MS fr. 1433 and Princeton University Library Garrett MS 125 (ca. 1295), the former incomplete with seven remaining miniatures and the latter with ten. Hindman (1994) discusses these illustrations as reflecting the development of the role of the knight, or the youthful knight-errant, during the transitional period from the high to the late medieval period.
Yvain had a huge impact on the literary world; German poet Hartmann von Aue used it as the basis for his masterpiece Ywein, and the author of Owain, or the Lady of the Fountain, one of the Welsh Romances included in the Mabinogion, recast the work back into its Welsh setting. The poem exists in several versions in different languages, including the Middle English Ywain and Gawain.
The first modern edition was published in 1887 by Wendelin Foerster.
Read more about this topic: Yvain, The Knight Of The Lion
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