Life and Career
Born in Pyongyang in 1897, she studied at the Pyongyang Girls' Middle and High Schools, and graduated from Kyongsong Women's Teaching College in Seoul in 1914. After graduation she became a primary school teacher in Wonju.
She left for Japan where she studied music at Tokyo Music School. It was there that she met and fell in love with an English literature and drama student, Kim Woo-Jin (Korean: 김우진). However, Kim was married and had a wife and children at his home in the city of Mokpo.
They set off back for Korea on a passenger ship but jumped from the ship into the ocean and were drowned.
Her most famous recording, recorded in Osaka by the Japanese Nitto recording company, and accompanied by her sister on the piano, is "Saui ch'anmi/In Praise of Death" (or a Psalm of Death, Korean: 사의 찬미) which is set to the tune of "The Waves of the Danube" by Ion Ivanovici. This was released in Korea in 1926 and is often regarded as the first "popular" Korean song.
Two films have been made of her story. The first a 1969 film entitled "Yun Shim-Deok" directed by Han Hyeon-Cheol (Korean: 한현철) and starring Moon Hee. The second was Death Song named after Yun's most famous song, and made in 1991. It was directed by Kim Ho-Seon (Korean: 김호선), for which he won the 1992 Grand Bell Award for best director. Chang Mi-hee starred as Yun, and the film retells the story of the lovers' time in Japan and their death.
Read more about this topic: Yun Sim-deok
Famous quotes containing the words life and/or career:
“There is a period near the beginning of every mans life when he has little to cling to except his unmanageable dream, little to support him except good health, and nowhere to go but all over the place.”
—E.B. (Elwyn Brooks)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
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