Creation and Development
During early development of Final Fantasy VII, Yuffie was envisioned as a 25-year-old ex-SOLDIER now working as a bounty hunter, seeking both the game's protagonist Cloud Strife and its antagonist Sephiroth, while also having a bounty on her own head. Her job class was originally listed as "ninja (assassin)" and she was intended to be a daughter of the long-deceased Kasumi Kisaragi. The Wutai sidequest present in the final incarnation of the game was significantly different. Her age and description was different for each of the several wanted posters; what Yuffie looks like, as her level, is determined on the last wanted poster viewed. She would also encounter the party in a random encounter, or attack Cloud when he is sleeping in an inn. The Wutai scenario required Yuffie to be recruited to complete it.
During later development of the game, the Final Fantasy VII team thought about removing both Yuffie and Vincent Valentine due to time limitations, but both were made as hidden characters. Having a close attachment to Yuffie's character, Final Fantasy VII event planner Jun Akiyama was responsible for the large number of cutscenes featuring her and her actions during fights. Mae Whitman, who voiced Yuffie in the English versions of Kingdom Hearts II and Dirge of Cerberus, said she was not "aware of the extent to which people were familiar with her character already." In a 2012 interview, Whitman recalled Yuffie as "bubbly and bright and nice. But still super cool!"
Read more about this topic: Yuffie Kisaragi
Famous quotes containing the words creation and, creation and/or development:
“There is an incompatibility between literary creation and political activity.”
—Mario Vargas Llosa (b. 1936)
“The creation of a thousand forests is in one acorn, and Egypt, Greece, Rome, Gaul, Britain, America, lie folded in the first man.”
—Ralph Waldo Emerson (1803–1882)
“The work of adult life is not easy. As in childhood, each step presents not only new tasks of development but requires a letting go of the techniques that worked before. With each passage some magic must be given up, some cherished illusion of safety and comfortably familiar sense of self must be cast off, to allow for the greater expansion of our distinctiveness.”
—Gail Sheehy (20th century)