Youth Square Dance
Youth square dancing has no precise definition, because youth is a relative term. Very generally, it refers to square dancing among people up to their mid-twenties. In specific contexts, e.g., in qualification for some event, it may refer to dancers up to a particular age such as 18. It also may refer to a style of dancing that, while most popular among younger dancers, can be enjoyed by some older dancers.
Square dancing is an activity open to people of almost every age group, but many people think of it as an activity for people in their late fifties or older; in this context even people in their thirties or forties may be considered "young" dancers. But among those involved with the full age range of current dancers, early twenties is usually the upper limit for designating a group or event with the term "youth".
Read more about Youth Square Dance: Clubs For Youth Dancers, Distinctive Features of Youth Square Dancing
Famous quotes containing the words square dance, youth, square and/or dance:
“The square dance fiddler’s first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the “caller,” and the shouts of the dancers. When he fiddles, he “fiddles all over”; feet, hands, knees, head, and eyes are all busy.”
—State of Oklahoma, U.S. public relief program (1935-1943)
“In youth the human body drew me and was the object of my secret and natural dreams. But body after body has taken away from me that sensual phosphorescence which my youth delighted in. Within me is no disturbing interplay now, but only the steady currents of adaptation and of sympathy.”
—Haniel Long (1888–1956)
“If the physicians had not their cassocks and their mules, if the doctors had not their square caps and their robes four times too wide, they would never had duped the world, which cannot resist so original an appearance.”
—Blaise Pascal (1623–1662)
“The author’s conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (1885–1972)