Culture and Activism
See also: Counterculture of the 1960sThe Yippies often paid tribute to rock 'n' roll and irreverent pop-culture figures such as the Marx Brothers, James Dean and Lenny Bruce. Many Yippies used nicknames which contained Baby Boomer television or pop references, such as Pogo or Gumby. Pogo is famous for creating the chant "No More Mindless Chants" in the mid-1970s. At demonstrations and parades, Yippies often wore face paint or colorful bandannas to keep from being identified in photographs. Other Yippies reveled in the spotlight, allowing their stealthier comrades the anonymity they needed for their pranks.
One cultural intervention that misfired was at Woodstock, with Abbie Hoffman's attempt to use the stage as a soapbox immediately prior to a performance by The Who. Guitarist Pete Townshend used his guitar to bat Hoffman off the stage.
The Yippies were the first on the New Left to make a point of exploiting mass media. Colorful, theatrical Yippie actions were tailored to attract media coverage, and also to provide a stage where people could express the "repressed" Yippie inside them. "We believe every nonyippie is a repressed yippie," Jerry Rubin wrote in Do it! "We try to bring out the yippie in everybody."
Read more about this topic: Youth International Party
Famous quotes containing the words culture and and/or culture:
“The genius of American culture and its integrity comes from fidelity to the light. Plain as day, we say. Happy as the day is long. Early to bed, early to rise. American virtues are daylight virtues: honesty, integrity, plain speech. We say yes when we mean yes and no when we mean no, and all else comes from the evil one. America presumes innocence and even the right to happiness.”
—Richard Rodriguez (b. 1944)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)