Recognition
In 2009, in Ottawa Canada, Yousuf Karsh's life and work were celebrated during Festival Karsh, a collaboration between Canada Museum of Science and Technology and Portrait Gallery of Canada.
Canada Post honoured the 100th anniversary of the birth of Yousuf Karsh by releasing an artist's series of three stamps depicting Karsh images. The famous Churchill portrait figures on the International Rate stamp and has a face value of $1.60CAN, a lithe side-profile taken in 1956 of Audrey Hepburn graces the American Rate stamp with a face value of $0.96CAN, and a self-portrait of Yousuf himself viewing photographic plates appears on the Domestic Rate stamp with a face value of $0.52CAN. A souvenir sheet set depicting an additional 24 Karsh portraits of some of the world's most famous and interesting persons includes among others: Walt Disney, Mohammed Ali, Mother Teresa, Humphrey Bogart, Indira Gandhi, Sophia Loren, Dwight D. Eisenhower, Ernest Hemingway, Nikita Khrushchev, Martin Luther King, Pope John XXIII, Pablo Picasso, Dizzy Gillepsie, and Queen Elizabeth II, further confirming the range and scope of Karsh's work.
Karsh has influenced many other photographers in different styles to become more independent and further motivate other artists.
On December 3, 1959, Karsh appeared as a guest challenger on the TV panel show To Tell the Truth.
In 2005, the city of Ottawa established the Karsh Prize, honoring Ottawa photo-based artists, in honor of Yousuf and Malak Karsh. Karsh also photographed the Canadian rock band Rush for their 1984 album Grace Under Pressure. Geddy Lee of Rush has referred to the picture as a typical bat mitzvah photo.
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Famous quotes containing the word recognition:
“That the world can be improved and yet must be celebrated as it is are contradictions. The beginning of maturity may be the recognition that both are true.”
—William Stott (b. 1940)
“Work expands so as to fill the time available for its completion. General recognition of this fact is shown in the proverbial phrase “It is the busiest man who has time to spare.””
—C. Northcote Parkinson (1909–1993)
“Tragedy, as you know, is always a fait accompli, whereas terror always has to do with anticipation, with man’s recognition of his own negative potential—with his sense of what he is capable of.”
—Joseph Brodsky (b. 1940)