Composition and Recording
The last song recorded before breaking off to make the film, the song was composed at Lennon's house in Weybridge. In the lyrics the singer tells his "friend" that, if he does not value his girl, the singer will "make a point of taking her away" from him. To the Beatles' familiar twist beat and using variations of familiar doo-wop chords, Lennon's lead singing is set in a call-and-response with the enthusiastic answering harmonies of McCartney and George Harrison, offering a last glimpse of the early Beatles' musical home turf.
The song's bridge has a key change similar to that of the record's previous track "Another Girl", moving up a minor third to G major, the relative major of the tonic minor. In this case the bridge emerges a measure early, diving a semitone down to meet the verse.
To fatten the sound McCartney overdubbed a background piano (a job that once would have been done by producer George Martin "live" on the backing track) and Ringo Starr added bongoes, the addition of Latin-American percussion being another way the Beatles often exploited their new-found access to four-track recording.
Read more about this topic: You're Going To Lose That Girl
Famous quotes containing the words composition and, composition and/or recording:
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)