The Future of Embroidery Art
C.E.M. opened in May 2004 through the combined efforts of Dr. Chung, an active figure in the international arena, and Sookmyung Women's University, which maintains a forward-thinking cultural vision.
The museum's collection includes hundreds of historical examples, ranging from a 4th to 3rd century BCE bronze mirror with an embroidered silk cover, right up to the present day. Also included are forms such as embroidered Chinese votive textiles, ecclesiastical robes, military uniforms, folding screens, wedding garments, chair and table coverings, Chinese court costumes, and rank insignia, as well as Japanese embroidery. The wide scope of the collection illuminates the cross-cultural dialogues in technique and style that have enriched textile arts worldwide.
Housed in a newly constructed building that includes exhibition galleries, a library, conservations studios (including the C.E.M. Textile Study Center), classrooms, and a 300-seat auditorium equipped with earphones for simultaneous translation, the museum aims to become a leading center for scholarship in embroidery and other textile arts. The Chung Young Yang Embroidery Museum aims to become both a cultural and academic center where the legacy of Dr. Chung and her global collection can be appreciated by a wide audience.
Read more about this topic: Young Yang Chung
Famous quotes containing the words future, embroidery and/or art:
“Much that is natural, to the will must yield.
Men manufacture both machine and soul,
And use what they imperfectly control
To dare a future from the taken routes.”
—Thom Gunn (b. 1929)
“It is, indeed, at home that every man must be known by those who would make a just estimate either of his virtue or felicity; for smiles and embroidery are alike occasional, and the mind is often dressed for show in painted honour, and fictitious benevolence.”
—Samuel Johnson (1709–1784)
“New York has never learnt the art of growing old by playing on all its pasts. Its present invents itself, from hour to hour, in the act of throwing away its previous accomplishments and challenging the future. A city composed of paroxysmal places in monumental reliefs.”
—Michel de Certeau (1925–1986)