Style
Apart from its assumed autobiographical content, this early painting was likely used by Caravaggio to market himself, demonstrating his virtuosity in painting genres such as still-life and portraits and hinting at the ability to paint the classical figures of antiquity. The three-quarters angle of the face was among those preferred for late renaissance portraiture, but what is striking is the grimace and tilt of the head, and the very real sense of the suffering; a feature that most Baroque art shares.
The still-life can be compared with that contained in slightly later works such as the Boy With a Basket of Fruit and the Boy Bitten by a Lizard where the fruits are in a much better condition, reflecting no doubt Caravaggio's improved condition, both physically and mentally.
The painting shows the influence of his teacher, the Bergamasque Simone Peterzano, in the utilization of the tensed musculature depiction, and of the austere Lombard school style in its attention to realistic details.
Read more about this topic: Young Sick Bacchus
Famous quotes containing the word style:
“Style is the man himself.
[Le style c’est l’homme même.]”
—Leclerc, George-Louis Buffon, Comte De (1707–1788)
“To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.”
—Paul Goodman (1911–1972)
“There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.”
—Gustave Flaubert (1821–1880)