In Pop Culture
Ranked Number 20 in VH1's "100 Greatest Hard Rock Songs".
The song was made playable in the music rhythm video games, GuitarFreaks 6th Mix/Drummania 5th Mix, as well as Lego Rock Band, Guitar Hero On Tour: Decades, and Guitar Hero 5. The Guitar Hero version retains the original studio ending with no fade out, with a song length of 4:07. In Guitar Hero, Jon stopped singing and the band continues singing was actually from the original version as the song has crossfaded to Livin' On a Prayer. The version features an ending solo.
The song was reworked and made available to download on November 9, 2010 for use in the Rock Band 3 music gaming platform in both Basic rhythm, and notably PRO mode which takes advantage of the addition of a real guitar / bass guitar, and use of standard MIDI-compatible electronic drum kits / keyboards in addition to three-part vocal harmonies or backup vocals. The ending features an a cappella chorus section like how the band usually ends the song in live performances.
Dwight Schrute plays this song in The Office on a recorder.
In the How I Met Your Mother episode "The Limo", Barney Stinson plays this song as part of his Get Psyched Mix and can also be seen on his blog.
The song was used as background music in the Fall/Winter 2006 Christian Dior goth-metal-rock-themed ready-to-wear fashion show.
In an issue of Thunderbolts, Deadpool starts singing the song after literally being "shot through the heart" by Black Widow.
The song was featured in the "Youth in Revolt" trailer.
KickBend evokes the "angel's smile" lyric in their song "Gone'" from the album faith.hope.love (2009).
Read more about this topic: You Give Love A Bad Name (song)
Famous quotes containing the words pop culture, pop and/or culture:
“There is no comparing the brutality and cynicism of today’s pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
—Charles Krauthammer (b. 1950)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)