Composition
Jackson stated in his 1988 autobiography Moonwalk that the lyrics to "You Can't Win" are about humiliation and helplessness, feelings, he stated, that many people have experienced at one point in their life. The singer added that the song was also about "the feeling that there are people out there who don't actively hold you back as much as they work quietly on your insecurities so that you hold yourself back". "You Can't Win" opens with the lines, "You can't win, you can't break even, and you can't get out of the game. People keep sayin', things are gonna change, but they look just like they're staying the same." William F. Brown, who wrote the book for the Broadway musical, stated that such verses made "You Can't Win" a "black message song". Musically, the track has been described as an R&B, pop and soul song by Renée Graham of The Boston Globe. According to the sheet music published on Musicnotes.com by Alfred Music Publishing, the track was performed in common time, with a tempo of 80 beats per minute. It adds that the song is composed in E with a range from B3 to C♭5.
Read more about this topic: You Can't Win (song)
Famous quotes containing the word composition:
“Every thing in his composition was little; and he had all the weaknesses of a little mind, without any of the virtues, or even the vices, of a great one.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (1874–1946)
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)