Note
- This episode attracted 18.63 million viewers in its original US airing.
- Although credited, Andrew Van de Kamp (Shawn Pyfrom), Danielle Van De Kamp (Joy Lauren), and Kayla Scavo (Rachel Fox) do not appear in this episode.
- This is the second time Carrie Preston has played sister to a Felicity Huffman character. In the 2005 movie Transamerica, Preston played Sydney to Huffman's transsexual character Bree/Stanley.
- This episode had 13.8 Million viewers in the UL coming 9th in the week it was aired
- Bree falsely promises that Benjamin will be raised Jewish. However, in the next season placed five years in the future, we learn that Benjamin is in fact raised as a Jew by his stepdad and Bree's daughter, Danielle Katz.
Read more about this topic: You Can't Judge A Book By Its Cover (Desperate Housewives)
Famous quotes containing the word note:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“For sounds in winter nights, and often in winter days, I heard the forlorn but melodious note of a hooting owl indefinitely far; such a sound as the frozen earth would yield if struck with a suitable plectrum, the very lingua vernacula of Walden Wood, and quite familiar to me at last, though I never saw the bird while it was making it.”
—Henry David Thoreau (1817–1862)
“What is line? It is life. A line must live at each point along its course in such a way that the artist’s presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul’s style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (1889–1963)