You Belong To Me (1952 Song) - Recorded Versions

Recorded Versions

  • Danny Aiello
  • Tori Amos
  • Paul Anka
  • Atlas Sound
  • Anita Baker
  • Bruno Mars
  • Pat Boone
  • LifeHouse
  • Bonnie Bramlett
  • Michael Bublé
  • Mississippi Delta Brothers
  • The Alley Cats
  • Rick Astley
  • Carla Bruni
  • Ann Hampton Callaway
  • Benny Carter & his Orch.
  • Petula Clark
  • Patsy Cline
  • Rosemary Clooney
  • Alma Cogan
  • Amie Comeaux
  • Marshall Crenshaw (performed by The Marshall Crenshaw band in
    Francis Ford Coppola's Peggy Sue Got Married, 1986, soundtrack released by Varèse Sarabande Records)
  • Bing Crosby
  • Mike Curb
  • Joe Dolan
  • Deer Tick
  • The Duprees
  • Bob Dylan (Natural Born Killers soundtrack, later used in the bar scenes of the Korean Drama Full House)
  • Firebirds
  • Ella Fitzgerald
  • Flat Duo Jets
  • Tennessee Ernie Ford
  • Connie Francis
  • Stephen Fretwell
  • Judy Garland
  • Crystal Gayle
  • Boris Grebenshchikov
  • Dan Hicks
  • Homer and Jethro
  • Joni James
  • Eilen Jewell
  • Pee Wee King
  • Jerry Lee Lewis
  • Lino
  • Dean Martin (#12 on Billboard charts)
  • Freddy Martin and His Orchestra Vocal refrain by Stuart Wade and The Martin Men. Recorded in Hollywood on July 31, 1952. It was released by RCA Victor Records as catalog number 20-4893.
  • Johnny Mathis
  • Gene McDaniels
  • Maureen McGovern
  • Rose McGowan
  • The Misfits
  • Jane Morgan
  • Anne Murray
  • OC Times
  • One AM Radio
  • The Orioles
  • Patti Page (#4 on Billboard charts)
  • Jim Reeves
  • Kate Rusby
  • Santo and Johnny
  • Vonda Shepard
  • Hank Snow
  • Jo Stafford(#1 on Billboard charts, Gold Record, UK Number 1 Single)
  • Ringo Starr
  • Rod Stewart
  • Ben Taylor
  • Sue Thompson
  • Tommy Tune
  • Gene Vincent
  • Jason Wade (soundtrack from the film Shrek 2001)
  • Wintergreen
  • Steve Tran
  • Ervinna, Singapore-based female singer

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Famous quotes containing the words recorded and/or versions:

    “Fifty million Frenchmen can’t be wrong.”
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    “The assumption must be that those who can see value only in tradition, or versions of it, deny man’s ability to adapt to changing circumstances.”
    —Stephen Bayley (b. 1951)