Other Covers
The British beat group Unit 4 + 2 released a recording of "You Ain't Goin' Nowhere" as a single in 1968 but it suffered poor sales as a result of the version released by The Byrds and consequently it did not chart. Joan Baez included a gender-switched version of the song, in which she sings "Tomorrow's the day my man's gonna come", on her 1968 album of Dylan covers, Any Day Now. Australian band The Flying Circus included this song on their self-titled debut album released in August 1969.
Roots rock quartet The Rave-Ups covered the song on their 1985 album, Town and Country. Shawn Colvin, Mary Chapin Carpenter, and Rosanne Cash also performed the song at Madison Square Garden in 1992, for eventual release on the Bob Dylan tribute album The 30th Anniversary Concert Celebration.
Phish covered the song during their July 30, 2003 concert at the Tweeter Center at the Waterfront in Camden, New Jersey. This is the only time that Phish has performed the song.
The Crust Brothers covered "You Ain't Goin' Nowhere" on their 1998 live album, Marquee Mark and Counting Crows recorded the song as a bonus track on their Hard Candy album in 2002 as well as performing it live with Augustana. Maria Muldaur recorded the song, with slightly altered lyrics, on her 2006 Heart of Mine: Maria Muldaur Sings Love Songs of Bob Dylan album and Marty Raybon, former vocalist of Shenandoah, also covered the song on his 2006 album, When the Sand Runs Out.
Glen Hansard and Markéta Irglová recorded the song for the soundtrack album to Todd Haynes' Dylan biopic, I'm Not There, using the lyrics from Dylan's 1971 version, including the reference to Roger McGuinn. The Dandy Warhols have covered the song on the 2009 digital download edition of their album The Dandy Warhols Are Sound. In 2012, Brett Dennen released a version of "You Ain't Goin' Nowhere" on the Chimes of Freedom: Songs of Bob Dylan Honoring 50 Years of Amnesty International album.
Read more about this topic: You Ain't Goin' Nowhere
Famous quotes containing the word covers:
“Whatever an author puts between the two covers of his book is public property; whatever of himself he does not put there is his private property, as much as if he had never written a word.”
—Gail Hamilton (1833–1896)
“The covers of this book are too far apart.”
—Ambrose Bierce (1842–1914)