Popularity
Yotsuya Kaidan's popularity is often accounted for by the way it fit the mood of its time, as well as its use of universal themes. The Bunsei era was a time of social unrest, and the repressed position of women in society was severe. The exchange of power for powerlessness was something audiences could relate to. Oiwa went from a delicate victim to a powerful avenger, while Iemon transforms from tormentor to tormented.
Also, Oiwa is much more direct in her vengeance than Okiku, another popular kabuki ghost, and she is much more brutal. This added level of violence thrilled audiences, who were seeking more and more violent forms of entertainment.
In addition, the performance of Yotsuya Kaidan was filled with fantastic special effects, with her ruined face projecting magnificently from an onstage lantern, and her hair falling out in impossible amounts.
Yotsuya Kaidan paired the conventions of kizewamono "raw life play", which looked at the lives of non-nobles, and kaidanmono "ghost play".
Read more about this topic: Yotsuya Kaidan
Famous quotes containing the word popularity:
“A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.”
—Harvey Brooks (b. 1915)
“In everything from athletic ability to popularity to looks, brains, and clothes, children rank themselves against others. At this age [7 and 8], children can tell you with amazing accuracy who has the coolest clothes, who tells the biggest lies, who is the best reader, who runs the fastest, and who is the most popular boy in the third grade.”
—Stanley I. Greenspan (20th century)
“The popularity of that baby-faced boy, who possessed not even the elements of a good actor, was a hallucination in the public mind, and a disgrace to our theatrical history.”
—Thomas Campbell (1777–1844)