Plot
The fullest version of Yoshitsune consists of fifteen scenes in five acts. Though this was originally intended to be performed across the better part of a day, modes of performance have changed, and the full version would today take twice that long, due to the style and speed of current forms of acting.
For this reason and others, Kabuki plays are almost never performed in their entirety today, and Yoshitsune is no exception. The fullest standard version of any play is called tōshi kyōgen, which in the case of Yoshitsune consists of nine of the full fifteen scenes. However, again as is the case with most plays, individual scenes or elements of Yoshitsune may be performed alone as part of a day's program of other such bits and pieces. The first, second, and fourth scenes of Act One are the most rarely performed today.
The fundamental structure of the play is very much in keeping with that of Japanese traditional drama forms as a whole. The philosophy of jo-ha-kyu is employed throughout, as actions, scenes, acts, and the play as a whole begin slow (jo), then get faster (ha), and end quickly (kyu). Also, Yoshitsune follows the traditional five-act structure and the themes traditionally associated with particular acts. Act One begins calmly and auspiciously, including scenes at the Imperial Palace. Act Two features combat. Act Three is something of a sewamono insertion into the jidaimono tale, turning away from the affairs of warriors and politics to focus on the lives of commoners. Act Four is a michiyuki journey, metaphorically associated with a journey through hell. Act Five wraps up the plot quickly and returns to themes of auspiciousness.
The following plot summary is based on the full fifteen-scene version.
Read more about this topic: Yoshitsune Senbon Zakura
Famous quotes containing the word plot:
“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)
“But, when to Sin our byast Nature leans,
The careful Devil is still at hand with means;
And providently Pimps for ill desires:
The Good Old Cause, reviv’d, a Plot requires,
Plots, true or false, are necessary things,
To raise up Common-wealths and ruine Kings.”
—John Dryden (1631–1700)
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (1856–1924)