Career
Born in Tokyo, Harada joined the Haiyūza theater troupe in 1966 and made his television debut in 1967 with "Tenka no seinen" and his film debut in 1968 with Fukushū no uta ga kikoeru. He came to fame appearing in New Action films at Nikkatsu playing youthful rebels. Among his features for Nikkatsu was the 1971 exploitation film, Stray Cat Rock: Crazy Riders '71 (aka Alleycat Rock: Crazy Riders '71) for director Toshiya Fujita where he played the son of a yakuza boss.
Leaving the Haiyūza in 1971, he appeared in films made by many directors, including Seijun Suzuki, Shūji Terayama, Azuma Morisaki, Kihachi Okamoto, Rokurō Mochizuki, Jun Ichikawa, Hirokazu Koreeda and Kōji Wakamatsu, but he was particularly favored by Kazuo Kuroki and Junji Sakamoto. He starred in many independent films, including those of the Art Theatre Guild. According to the critic Mark Schilling, Harada was "a favorite of generations of Japanese helmers for his rugged features, low, rumbling voice and distinctive presence, with shades of darkness and wildness that made him a natural for antihero roles in his youth." Harada also appeared in many television dramas.
He died of pneumonia on 19 July 2011 while battling cancer. His last starring film was Ōshika-mura sōdōki, and it was at a press conference for that film on July 11 that he made his last public appearance.
Read more about this topic: Yoshio Harada
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)