Career
Born in Tokyo, Harada joined the Haiyūza theater troupe in 1966 and made his television debut in 1967 with "Tenka no seinen" and his film debut in 1968 with Fukushū no uta ga kikoeru. He came to fame appearing in New Action films at Nikkatsu playing youthful rebels. Among his features for Nikkatsu was the 1971 exploitation film, Stray Cat Rock: Crazy Riders '71 (aka Alleycat Rock: Crazy Riders '71) for director Toshiya Fujita where he played the son of a yakuza boss.
Leaving the Haiyūza in 1971, he appeared in films made by many directors, including Seijun Suzuki, Shūji Terayama, Azuma Morisaki, Kihachi Okamoto, Rokurō Mochizuki, Jun Ichikawa, Hirokazu Koreeda and Kōji Wakamatsu, but he was particularly favored by Kazuo Kuroki and Junji Sakamoto. He starred in many independent films, including those of the Art Theatre Guild. According to the critic Mark Schilling, Harada was "a favorite of generations of Japanese helmers for his rugged features, low, rumbling voice and distinctive presence, with shades of darkness and wildness that made him a natural for antihero roles in his youth." Harada also appeared in many television dramas.
He died of pneumonia on 19 July 2011 while battling cancer. His last starring film was Ōshika-mura sōdōki, and it was at a press conference for that film on July 11 that he made his last public appearance.
Read more about this topic: Yoshio Harada
Famous quotes containing the word career:
“Clearly, society has a tremendous stake in insisting on a womans natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)