The York Mystery Plays, more properly called the York Corpus Christi Plays, are a Middle English cycle of forty-eight mystery plays, or pageants, which cover sacred history from the creation to the Last Judgement. These were traditionally presented on the feast day of Corpus Christi (a movable feast occurring the Thursday after Trinity Sunday, between May 23 and June 24). They were performed in the city of York, from the middle of the fourteenth century until 1569. It is one of only four virtually complete surviving English mystery play cycles, with the others known as the Chester Mystery Plays, the Towneley/Wakefield plays and N-Town plays. In addition to these, two long, composite, and late mystery pageants have survived from the Coventry cycle, and there are records and fragments from other similar productions which took place elsewhere. A manuscript of the York plays, probably dating from some time between 1463 and 1477, survives at the British Library.
Read more about York Mystery Plays: The Plays, The York Realist, Modern Revival, The York Millennium Mystery Plays, 2012 Production, The Waggon Plays, Adaptations and Related Plays
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“New York will be a great place when they finish it.”
—Local saying.
“Like most vigorous-minded men, seeing that there was no stopping-place between dogma and negation, he preferred to accept dogma. Of all weaknesses he most disliked timed and half-hearted faith. He would rather have jumped at once to Strong’s pure denial, than yield an inch to the argument that a mystery was to be paltered with because it could not be explained.”
—Henry Brooks Adams (1838–1918)
“A great many quite good plays could be performed with rhythmic howls in the place of dialogue and lose almost nothing by the change.”
—Rebecca West (1892–1983)