York Bowen - Musical Career

Musical Career

Bowen achieved considerable success during his lifetime both as a concert pianist and composer. He performed regularly at both the Queen's Hall and the Royal Albert Hall. As a pianist he was recognised for his technical ability and artistic excellence.

Bowen premiered many of his own works including all four of his piano concertos. He produced his first three piano concertos between 1904 and 1908, performing the Piano Concerto No. 1 in E♭ major, Op. 11, at the Proms under Henry J. Wood and the Piano Concerto No. 4 in A minor, Op. 88, under the direction of Adrian Boult. During his lifetime many of Bowen's orchestral works were also performed by prominent conductors. In 1903 Henry Wood conducted Bowen's symphonic poem The Lament of Tasso, Op. 5, in 1906 Hans Richter performed the Symphonic Fantasia in F major, Op. 16, and in 1912 Landon Ronald directed the Symphony No. 2 in E minor, Op. 31.

Many of Bowen's instrumental works were dedicated to and premiered by renowned musicians. In 1910 Fritz Kreisler performed the Suite in D minor for Violin and Piano, Op. 28, and many other renowned violinists of the time later gave performances of the work, including Joseph Szigeti, Michael Zacharewitsch and Efrem Zimbalist. The celebrated violinist Marjorie Hayward performed Bowen's Violin Concerto in E minor, Op. 33, at the Proms in 1920 and the first performances of Sonata for Horn and Piano, Op. 101, and Concerto for Horn, Strings and Timpani, Op. 150, were given by Aubrey Brain and Dennis Brain respectively. Bowen also composed works for many of his other contemporaries including Carl Dolmetsch, Léon Goossens, Beatrice Harrison, Pauline Juler and Gareth Morris.

As an instrumentalist Bowen considered the tone quality of the viola to be superior to the violin, and composed numerous works for viola. Bowen frequently performed as a pianist alongside the viola player Lionel Tertis and in 1908 Tertis premiered Bowen's Viola Concerto in C minor, Op. 25. Bowen also aided Tertis in his campaign to increase the popularity of the viola as a solo instrument. Bowen made numerous other contributions to the viola repertoire, including a fantasy, a quartet for four violas and two sonatas for viola and piano. Alongside Arnold Bax and Benjamin Dale, Bowen was one of the first English composers to add original works to the modern viola repertoire.

Aside from his performances with Lionel Tertis, one of Bowen's most successful collaborations was the piano duo that he formed with fellow professor at the Royal Academy of Music, Harry Isaacs. As a composer Bowen was noted for his inventive piano duets and he continued to perform many of these compositions with Isaacs throughout his career.

As well as premiering many of his own works, including his four piano concertos, Bowen also gave many first performances of piano works by other composers. In 1907 he performed alongside Henry Wood and Frederick Kiddle to give the first British performance of Mozart's Concerto for Three Pianos and Orchestra in F major, K.242. Similarly, in 1928 Bowen gave the first performance of William Walton's Sinfonia Concertante for Orchestra and Piano at a Philharmonic Society concert at the Queen's Hall.

He was the first pianist to record Beethoven's Piano Concerto No. 4 in G major.

During his lifetime Bowen also published editions of works by other prestigious composers. These included a three volume edition of Mozart's piano works published between 1931 and 1932. In addition, Bowen produced editions of many of Chopin's nocturnes, preludes, valses, ballades and scherzos between 1948 and 1950.