Films
- Satans Bed (as an actress)
- Eye blink (1966, 5 mins)
- Bottoms (1966, 5½ mins)
- Match (1966, 5 mins)
- Cut Piece (1965, 9 mins)
- Wrapping Piece (1967, approx. 20 mins., music by Delia Derbyshire)
- Film No. 4 (Bottoms) (1966/1967, 80 mins)
- Bottoms, advertisement/commercial (1966/1967, approx. 2 mins)
- Two Virgins (1968, approx. 20 mins), a portrait film: superimpositions of John’s and Yoko’s faces.
- Film No. Five (Smile) (1968, 51 mins)
- Rape (1969, 77 mins), filmed by Nick Rowland. A young woman is relentlessly pursued by a camera crew.
- Bed-In, (1969, 74 mins)
- Let It Be, (1970, 81 mins)
- Apotheosis (1970, 18½ mins)
- Freedom (1970, 1 min), a slow-motion film showing a woman attempting to take off her bra.
- Fly (1970 (25 mins), a fly crawls slowly across a woman's naked body. Made with Jonas Mekas and premiered at the Cannes film festival in May, 1971.
- Making of Fly (1970, approx. 30 mins)
- Up Your Legs Forever (1970, 70 mins), a film consisting of continuous panning shots up a series of 367 human legs.
- Erection (1971, 20 mins), a film of a hotel’s construction over many months based on still photographs by Iain McMillan.
- Imagine (1971, 70 mins)
- Sisters O Sisters (1971, 4 mins)
- Luck of the Irish (1971, approx. 4 mins)
- Flipside (TV show) (1972, approx. 25 mins)
- Blueprint for the Sunrise (2000, 28 mins)
- Onochord (2004, non ending loop).
Read more about this topic: Yoko Ono
Famous quotes containing the word films:
“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesnt.”
—Jean-Luc Godard (b. 1930)
“If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. Theres nothing behind it.”
—Andy Warhol (c. 19281987)
“Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to societys porous face.”
—Marjorie Rosen (b. 1942)
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