Films
- Satans Bed (as an actress)
- Eye blink (1966, 5 mins)
- Bottoms (1966, 5½ mins)
- Match (1966, 5 mins)
- Cut Piece (1965, 9 mins)
- Wrapping Piece (1967, approx. 20 mins., music by Delia Derbyshire)
- Film No. 4 (Bottoms) (1966/1967, 80 mins)
- Bottoms, advertisement/commercial (1966/1967, approx. 2 mins)
- Two Virgins (1968, approx. 20 mins), a portrait film: superimpositions of John’s and Yoko’s faces.
- Film No. Five (Smile) (1968, 51 mins)
- Rape (1969, 77 mins), filmed by Nick Rowland. A young woman is relentlessly pursued by a camera crew.
- Bed-In, (1969, 74 mins)
- Let It Be, (1970, 81 mins)
- Apotheosis (1970, 18½ mins)
- Freedom (1970, 1 min), a slow-motion film showing a woman attempting to take off her bra.
- Fly (1970 (25 mins), a fly crawls slowly across a woman's naked body. Made with Jonas Mekas and premiered at the Cannes film festival in May, 1971.
- Making of Fly (1970, approx. 30 mins)
- Up Your Legs Forever (1970, 70 mins), a film consisting of continuous panning shots up a series of 367 human legs.
- Erection (1971, 20 mins), a film of a hotel’s construction over many months based on still photographs by Iain McMillan.
- Imagine (1971, 70 mins)
- Sisters O Sisters (1971, 4 mins)
- Luck of the Irish (1971, approx. 4 mins)
- Flipside (TV show) (1972, approx. 25 mins)
- Blueprint for the Sunrise (2000, 28 mins)
- Onochord (2004, non ending loop).
Read more about this topic: Yoko Ono
Famous quotes containing the word films:
“If you want to know all about Andy Warhol, just look at the surface: of my paintings and films and me, and there I am. Theres nothing behind it.”
—Andy Warhol (c. 19281987)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”
—Susan Sontag (b. 1933)